“Poppet Show” delves into the manipulation and control embedded in Iran’s Qajar period. Through collage techniques infused with a contemporary vision, this collection unravels the narratives of power, control, and resistance that defined this historical era.

The Qajar period was characterized by political maneuvering, propaganda, and militarism used by the ruling class to assert dominance. “Poppet Show” confronts this reality, revealing how political figures wielded propaganda to control perceptions and employed militaristic strategies to enforce authority.

Collage serves as a powerful metaphor for the fragmented and manipulated nature of historical narratives from the Qajar period. By recontextualizing visual elements from historical paintings, photographs, and contemporary political cartoons, I expose the constructed nature of political propaganda employed by the king and military forces.

The juxtaposition of disparate images mirrors the deliberate efforts to shape collective consciousness in the Qajar era while drawing parallels with today’s socio-political landscape. This connection highlights the enduring relevance of these issues, inviting viewers to reflect on the impact of propaganda and militarism on societal structures and individual autonomy.

“Poppet Show” is more than a display of art; it is a catalyst for critical reflection on power dynamics and control mechanisms, challenging conventional narratives and inspiring thoughtful engagement with history.